Thank you for visiting my website and online galleries
This is a new website, not yet complete. I hope to have all of the images captioned soon. I am not yet set up for online sales. I mostly share/sell my images as photo notecards, which are 4 x 6 prints hand glued to 5 x 7 card stock, labeled, and nicely packaged with envelopes.
Most of my inventory can be found at the Art Accelerated Gallery in Tillamook, Oregon, where I also exhibit some larger, framed prints. https://www.artaccelerated.org/
I also keep inventory at home, feel free to contact me.
Some of my larger matted prints are currently available at the Blue Sky Gallery in Portland, OR, as part of the Pacific Northwest Viewing Drawers Program. http://www.blueskygallery.org/
I began my photographic ‘career’ when I was about 15 years old – focusing mostly on landscape photography in Northern California coupled with sporadic documentation of the San Francisco music scene and the Vietnam War protest movement, and dotted with occasional requests for portraits of children. When my parents were not forthcoming in support of my creative dreams – I went off to college for a more ‘practical education’ – gathering degrees in chemistry, environmental toxicology, and information science. Eventually landing in a career as a science research librarian – my interest in photography took a back seat.
Now retired – I am able to return some attention to this early passion of mine. I’ve been dipping my toes back in with some energy, for about seven years, with a couple one-off shows of special topics since 2003. I reside part-time in Portland, Oregon and part-time on the Oregon coast.
Member, Art Accelerated Gallery, Tillamook,OR, July 2017- September 2019
2017 Pacific Northwest Photography Viewing Drawers(juried). Blue Sky Gallery, Portland,OR, April 2017-March 2018
Member/Participant, Daily Black and White and Monochrome PhotosFacebook Group, October 2014-
Participant (photography), Annual Labor Day Art Show, Oceanside, OR –September 2016, 2015, 2014, 2013.
Participant (photography), Annual Memorial Day Art Show, Oceanside, OR– May 2017, 2016, and 2015.
Contributor (photography), Annualmember show (group show), Bay City Arts Center, Bay City, Oregon, December,2013 and 2017
From the Atlantic to the Gulf- an exhibit highlighting the unity of those from the Middle East. Group show curated by Kanaan Kanaan andfeaturing artists mostly PSU-affiliated. North Bank Artists Gallery, Vancouver,Washington. May 2013
Images of Cuba, an educational photographicexhibit, ArtSpace Gallery and Cafe, Bay City, OR, May 20 –July 20, 2002 (soloshow).
Photography Laboratory Assistant, Palo Alto High School,1971-1973
About my work
My work has several directions, or facets – all of which I enjoy. What drew me back into photography was the opportunity to join in some interesting travel adventures several years ago. From that – I launched a focus in ‘travel photography’. In this direction, I am mostly drawn in by the human contribution to beauty in the global landscape. I love to frame the scenes of everyday life in different cultures - observing a person at work – creating, farming, foraging, cleaning – whatever they are doing -- if it is interesting to me, I try to capture it. And while many of my images do not include people in them, they include their invisible hands in the beautiful objects that they have created or gathered; public messages that they have crafted; interesting displays, artistic expression, architecture, etc.
Another direction is photographing art, mostly public art – whether this is while traveling or locally. I tend to photograph ‘excerpts’ of public art that I encounter, whether it is formal art or outsider art, such as graffiti – identifying within it a sub-image that to me forms a perfect image in and of itself. When I do this, I put in the effort required to identify the artist of the original work and always, when possible, give attribution.
Something that I have always loved to photograph, even from an early age, is abstract patterning, whether in nature or in the man-made environment. Again, to me it is a form of ‘excerpting’ – taking things out of context and simply enjoying the play of the pattern – whether it is a Fibonacci sequence, a geometric pattern, or something that is concurrently random and unified.
More recently, I’ve been drawn to subjects of rot, corrosion, and decay – and especially the interplay between nature and the built environment. Things such as lichens and mosses growing on abandoned structures; the effects of wind, rain, and time on old buildings; peeling paint; rusting structures, etc. The images that I seek in this area also dovetail with some of my other areas of interest – in that again, I prefer the ‘out of context’ image that I see more as ‘art’ than as ‘documentation’.
I rarely photograph people but have included some images of people in these galleries.
I am not a 'technical' photographer. For me, it is all about an image that catches my fancy, and whether or not I can capture it. I use natural light, no filters, and other than minor cropping – no image manipulation. I like my work to be a ‘natural’ as possible.